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C., where it was known as emotional hardcore or emocore and pioneered by bands such as Rites of Spring and Embrace.

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But the principal conductorship came about more or less by accident."Darling," Haitink calls to his wife Patricia, "When did I go to Chicago and the whole thing started? When he is in town, he attends auditions, "because I care for the orchestra. Haitink is also a conductor who carries his own sound with him, possessing that priceless ability to create an individual texture rich in string tone and with instrumental colours subtly blended and held in precise balance.According to Andy Greenwald, author of Nothing Feels Good: Punk Rock, Teenagers, and Emo, "The origins of the term 'emo' are shrouded in mystery ... If Minor Threat was hardcore, then Rites of Spring, with its altered focus, was emotional hardcore or emocore." Michael Azerrad, author of Our Band Could Be Your Life, also traces the word's origins to the mid-1980s: "The style was soon dubbed 'emo-core,' a term everyone involved bitterly detested, although the term and the approach thrived for at least another fifteen years, spawning countless bands." Mac Kaye traces it to 1985, attributing it to an article in Thrasher magazine referring to Embrace and other Washington, D. bands as "emo-core" (which he called "the stupidest fucking thing I've ever heard in my entire life").Although many of the bands rejected the term, it stayed.Dean Kuipers of the Los Angeles Times described emo as "guitar dynamics that explored both the softs and louds of punk in the same song with—most important—brutally confessional and even self-loathing lyrics". As a body, they are like middle-of-the-night journal entries exposing insecurity and suicidal thoughts.Or wanting the girl and even getting the girl, then going down under a swarm of conflicts and self-inflicted wounds and losing the girl to mopey confusion.According to writer Sean Cureton, "With several singles lending themselves to an underlying tension bordering on agoraphobic paranoia, Pet Sounds is an intensely melancholic recording disguised as a pop album.

In some ways, one could find trace elements of [the album] in early emo albums of the 2000s." scene in Washington, D. as a reaction to the scene's violence and an extension of the politics espoused by Ian Mac Kaye of Minor Threat, who returned the music's focus from the community to the individual.

Haitink is prone to such rueful reflections, but all the evidence shows that, at 79, his shelf life is nowhere near expiry.

Only two years ago, he took on a new job as principal conductor of the Chicago Symphony Orchestra, which he brings to London next week for two concerts in the BBC Proms. For a quarter of a century, he was at the helm of Amsterdam's Royal Concertgebouw Orchestra; he was in charge of the London Philharmonic throughout the Seventies, and made famously heroic stands on behalf of the musicians at the Royal Opera House during his 15 years there as director.

If I ever stop conducting, I shall miss sitting at my desk looking at a score." The Big Short, the film adaptation of Michael Lewis' book of the same name about the causes of the financial crisis, opens in UK cinemas this weekend.

How will the story stack up against the greatest films about business?

By the emo bands such as Braid, the Promise Ring and the Get Up Kids emerged from the burgeoning Midwest emo scene, and several independent record labels began to specialize in the genre.